SXSW The Feast – THERE’S DIRT EVERYWHERE (and they will know us by the trail of dirt)

I write this on the Vernal Equinox and that feels quite fitting. Roger Williams and Lee Haven Jones’ The Feast presents all the trappings of a well-to-do family. A pristine mid-century modern home to kill for, juxtaposed against a rural setting sprawled across acres of family farm land, where a nuclear family unit resides, preparing for an impending dinner party.

The first hour of this Welsh language horror story is spent kind of wondering what this is all about. It is gorgeously shot, making full use of the beauty of its setting, playing with negative space in a way that makes every frame feel like a beautifully composed photograph. It plays like a family drama with strange and sinister undertones. The polished facade is not all it seems, but for an hour, things are mostly only hinted at. However, after that point- everything becomes absolutely fucking unhinged. And by that I mean the movie becomes something else entirely. The curtains are pulled back and the darkness that has been silently snaking its way through the story begins to reveal itself in full, and the story doesn’t just unravel at this point- it explodes.

THERE’S DIRT EVERYWHERE, it becomes quite bloody by this point as well. And they will know us by the trail of dirt. And blood. A morality tale, to take heed against greed. When you’ve taken everything, what else is there and what will you have to repay when collection comes due? While the message of don’t fuck with nature, is very clear this is much more than an eco-horror. Mixing elements together for a gruesome, strange and satisfying payoff. I’ll let you find out for yourselves what else reveals itself after the first hour of this slow burn morality tale. It’s an enjoyable character driven story that takes its time getting to the climax, but fully delivers upon arrival.

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